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VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
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You can create a customized list of films and videos to watch later. To add to your list, browse the catalogue and select the +MY LIST button.
A group of Vietnamese nationals is making their way to an unknown location in a shipping container to find a better life.
Riverside Queerness reveals hard moments in the Prairies' shadowed queer history. Three storytellers navigate muddy waters that is Manitoba's subconsciousness; where truth is blurred by the power of the currents.
A group of amateur astronomers and eclipse-chasers prepare to view a total eclipse.
I lost my mind from working at a government call centre. This is my story.
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
Short descriptionThe conflict between Armenia and Azerbaijan as seen through the eyes of the inhabitants of the Caucasus.
An intimate portrayal of the closed-off Russian city of Norilsk through the eyes of its youth, mine workers and truth seekers.
Çås¢a∂ing €®r0r Win∂0ws is a project about love, death, connection, the future, and the afterlife. It is an exploration of artificial intelligence, human consciousness, and embodiment that troubles deeply held convictions about what it means to be alive, to be a person, and to be in conversation with another.
Night Circled was made by recording video from online surveillance cameras.
An optimistic Filipina woman who has just immigrated to Canada is excited to try an apple for the first time. Similar to her experiences as a new immigrant, the apple isn't what she expected.
Captured over five years in 18 communities, INDIAN TIME paints a personal, up-to-date portrait of 11 of Quebec's Indigenous peoples. With some forty people speaking in turn, INDIAN TIME makes for exceptional encounters and immerses viewers in "Indian time" with their eyes and hearts.
Border mechanisms that act on migrants are many. Moving from shelter to shelter and hopping on trains, they head up north across Mexico to reach the United States and Canada. During the U.S election, migrants are more than aware that it could be their last chance to cross the border. Following their trajectory, Destierros draws a path of reclusion. A path where time remains the longest road between two places.
"Those That Will Come, Will Hear" constructs a portrait of the erosion of languages; a global phenomenon that is still largely unexplored. This exploratory film will be a way to discover the essence of First Nations and Inuit languages still spoken in Quebec via the richness of their unique sounds and the rendering of this inherent musicality into visual imagery.
An examination of how art and truth come into conflict at the trial of a young man accused of rape.
An austere film with touches of offbeat humour
A woman deals with the death of her mother through self-annihilating tendencies.
A woman paints with her vagina to please the art hungry masses that crowd her gallery and her life.
Métis, Métis Not is a video documentation of the filmmaker’s lack of relationship with her cultural background
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
A short film essay analyzing a landscape shaped by religion, capital, and war. The film blurs the line between memory and history, only to reveal their cyclicity.
Since launching our platform in 2017, we have collaborated with curators and programmers from across the country to present film and video programs available for free streaming for a limited time. Each program includes a critical curatorial essay that explores the overarching themes and selections. After the free viewing period has expired, we encourage the public to read the essays and rent the works individually.
The video uses heat to distort an image of a prairie landscape encroached upon by an expanding urban centre. The orchestra of field recordings and combination with the abstracted landscapes of this work reflects the uncertainty and change of a land caught between use and abuse.
A short drama based on a poem by internationally acclaimed poet George Amable. Shot in an abandoned community in Manitoba, the film is about a writer who abandons civilization for the gentle, natural beauty of a ghost town. The effect this has is revealed when a woman close to him comes to find him.
In Camouflage (Boulder/Iceland) the artist utilizes the photograph object to investigate the difference between a lithic and a human sense of time.
The result of a collaboration between artists Nahed Mansour and Kandis Friesen, this work is based on the original footage from an unrealized documentary found at the Mennonite Heritage Centre Archives in Winnipeg Manitoba.
A woman creates a runway to fly up into the "clear blue" above an endless landscape.
The film is set amongst the eroding, forested cliffs of a creek. The images are a direct response to Linsey Wellman’s soundtrack of layered saxophones and electronics, which filmmaker Matthieu Hallé listened to for the first time while exposing each frame.
The tape begins as a structuralist piece, an extended tracking shot, but collapses after a couple of minutes. In that broken space of discontinuity, language briefly emerges. The second half of the tape is more narrative. The flight of a man running across the frozen Gardiner Dam on the South Saskatchewan River, a middle aged man, laden with an unanswerable irrationality.
A tactile journey in three parts. Markings 1-3 is an attempt to connect with nature through the surface of celluloid, using such techniques as tinting, toning, painting and scratching.This film was shot and hand processed at the Independent Imaging Retreat (The Film Farm) in Mount Forest Ontario.
THE INCORPORATED is shopping as ritual-a twenty-first century, yet primeval dance. The Incorporated was shot entirely inside mega-malls with a pocket camera, dismissed or unnoticed by security guards and public alike.
When Land and Body Merge began with the artists and curator meeting online, and over a two month period creating work through video and writing that allowed them to connect and build a relationship from afar. They worked with the idea of a call and response with Lindsay creating work, and Jaime responding to it, and vice versa.
Roughly translated, “terroir” can signify both a “sense of place” as well as “coming from a place”. This piece is an image/sound portrait of personal geography as well as formal investigation of digital media.
Every breath I take, I can thank a tree. My life is a gift of the global forest.
Domestic bliss? Claustrophobia? Xenophobia? Terror? Geller shows us a highly condensed, yet playful narrative on conjugal life when her protagonist is dominated by “B” movie scenes.
Deux « sorcières » modernes, l'une de 25, l'autre de 50 ans, racontent leurs expériences de prise de pouvoir sur le corps et l’esprit.
What would a feminist superhero look like? Could she leap tall buildings in a single bound? Could she bend steel with her bare hands? What would her name be? And would anyone remember it? Commissioned by MAWA's Art Building Community Symposium, performance artists Shawna Dempsey and Lorri Millan have created an aging superhero with unusual powers. Watch as she wrestles the notion of "super" to the ground! In light of reality TV and celebrity culture, where everyone who wants to be a superstar ca
3 groups of 3 young women of different ages (sixteen, nineteen and twenty one years old) question their relation towards femininity and the socially constructed notion of gender that stifles them.
This film is available in French only.
Que valent les efforts déployés pour améliorer les conditions de vie de ces femmes et de ces fillettes, sans une gestion efficace de l'eau potable?
Journey into the everyday life of both single-dad and single-mom.
Is Ohio the fish or the phisher? The film’s sexual metaphor extends to artists, who use their own experiences as material for their work, becoming both fish and fisher, harvester and harvested. Ohio’s deeply personal documentary footage and audio recordings serve as the raw material for her exploration of class, art, and the performance of heterosexuality.
In their familiar, humorous style, Millan and Dempsey explore the elements of passionate lesbian love. A woman stands in isolation, clad in a paper ball gown that is both fragile and stiff. On it, and on her environment, are reflected projections of her desire and its denial.
In a relationship, two women decide that the white partner will carry her partner’s Indigenous child
Walking nude along the dusty railroad tracks of life, a woman discovers a sweet decorous Cake in her path.
Shot improvisationally in 2010, shortly after the end of the Sri Lankan civil war, this film takes a lyrical approach to examining recent history and the process of reconstruction in the post-war era.
Within a few months, the Kutupalong refugee camp has become the biggest in the world, home to 700 000 Rohingya exiles fighting for their survival.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
The little-known editor of the epic opus Shoah, Ziva Postec delves into her memories, where personal recollection mingles with the shards of History. For the first time, she tells her story, bringing previously unseen footage to the screen.
The film depicts a society controlled by an autonomous system.
A true story of hope, ethnic cleansing and letting go.
SURGES is an online ecosystem of seven virtual environments presented by IOTA Institute in partnership with VUCAVU. This project invites artists to design online exhibition spaces with technical support, to create experiences for audiences beyond linear visual aesthetics. Artworks explore vibrational haptics, interactive instruments, 360 video, and augmented reality to create multisensory online experiences and encounters.